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Violence and Rebellion Contemporary French Women's Autofiction: "We stand up we split"
Coles
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Violence and Rebellion Contemporary French Women's Autofiction: "We stand up we split" in Vernon, BC
By None
Current price: $175.50

Coles
Violence and Rebellion Contemporary French Women's Autofiction: "We stand up we split" in Vernon, BC
By None
Current price: $175.50
Loading Inventory...
Size: Hardcover
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
This book breaks the silence on systemic violence against women in French society and showcases various forms of actual and/or literary rebellion. Blending auto-ethnography with the analysis of contemporary autofiction by French women writers and drawing portraits of other victims/rebels, Michèle Bacholle addresses physical, symbolic, cultural, institutional, and psychological forms of gender violence across different social spheres and within an intersectional framework (i.e., age, class, immigration, race). She engages with established authors (Nina Bouraoui, Sophie Chauveau, Chloé Delaume, Virginie Despentes, Annie Ernaux, Camille Laurens, Linda Lê, Léonora Miano, Delphine de Vigan) and emerging voices in French literature (Mathieu Deslandes and Zineb Dryef, Rokhaya Diallo, Laure Gouraige, Bebe Melkor-Kadior, Samira Sedira), and bridges personal and scholarly discourse in an innovative manner. #MeToo and its repercussions, as well as current social movements provide hope for deeper societal change, short of which, following Adèle Haenel's lead, French women may have to "stand up and split."
This book breaks the silence on systemic violence against women in French society and showcases various forms of actual and/or literary rebellion. Blending auto-ethnography with the analysis of contemporary autofiction by French women writers and drawing portraits of other victims/rebels, Michèle Bacholle addresses physical, symbolic, cultural, institutional, and psychological forms of gender violence across different social spheres and within an intersectional framework (i.e., age, class, immigration, race). She engages with established authors (Nina Bouraoui, Sophie Chauveau, Chloé Delaume, Virginie Despentes, Annie Ernaux, Camille Laurens, Linda Lê, Léonora Miano, Delphine de Vigan) and emerging voices in French literature (Mathieu Deslandes and Zineb Dryef, Rokhaya Diallo, Laure Gouraige, Bebe Melkor-Kadior, Samira Sedira), and bridges personal and scholarly discourse in an innovative manner. #MeToo and its repercussions, as well as current social movements provide hope for deeper societal change, short of which, following Adèle Haenel's lead, French women may have to "stand up and split."



















