After over a century of existence, the cinema still has its mysteries. Why, for example, is the job we call movie stardom unlike any other in the world? How do films provide so much unconcealed information that we fail to notice? What makes it hard to define what counts as "acting"? How do movies likeCasablancaandBreathlessstore the film and world histories of their generations? How can we reconcileauteurism's celebration of the movie director's authority with the camera's automatism? Why have the last four decades of film criticism so often neglected such questions? After beginning with an overview of film studies, this book proposes a shift from predictable theoretical approaches to models that acknowledge the perplexities and mysteries of the movies. Deriving methods from cinephilia, Wittgenstein, Richard Rorty, Stanley Cavell, Eleanor Duckworth, V. F. Perkins, and James Naremore, Robert B. Ray offers close readings that call attention to what we have missed in such classic films asLa Règle du Jeu, It Happened One Night, It's a Wonderful Life, Vertigo, Holiday, The Philadelphia Story, Casablanca, Breathless, andTickets. | The Structure Of Complex Images by Robert B. Ray, Hardcover | Indigo Chapters