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This volume presents a selection of essays undertaken by participants in an NEH Summer Seminar in 2004 on the topic of the seven deadly sins, viewed individually and as a whole, as part of the Begriffsgeschichte of the Middle Ages and beyond in which concepts are constructed within the cultural milieus in which they function.
The essays in the first part study the political and social ethics of medieval communities. In the second part, the institutional imperatives within the Church of formulating and teaching about the capital vices are the focus of research. In the final section, the contributions deal with ways in which secular artists and authors (in particular, Dante) contribute to the cultural construction of the vices.
Contributors include: Dwight D. Allman, Bridget K. Balint, V. S. Benfell III, Dallas G. Denery II, Laura D. Gelfand, Susan E. Hill, Holly Johnson, Hilaire Kallendorf, John Kitchen, Rhonda L. McDaniel, Richard Newhauser, Thomas Parisi, and Derrick G. Pitard.
This volume presents a selection of essays undertaken by participants in an NEH Summer Seminar in 2004 on the topic of the seven deadly sins, viewed individually and as a whole, as part of the Begriffsgeschichte of the Middle Ages and beyond in which concepts are constructed within the cultural milieus in which they function.
The essays in the first part study the political and social ethics of medieval communities. In the second part, the institutional imperatives within the Church of formulating and teaching about the capital vices are the focus of research. In the final section, the contributions deal with ways in which secular artists and authors (in particular, Dante) contribute to the cultural construction of the vices.
Contributors include: Dwight D. Allman, Bridget K. Balint, V. S. Benfell III, Dallas G. Denery II, Laura D. Gelfand, Susan E. Hill, Holly Johnson, Hilaire Kallendorf, John Kitchen, Rhonda L. McDaniel, Richard Newhauser, Thomas Parisi, and Derrick G. Pitard.
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