In a tour de force of innovation, memory, and distillation, Thanassis Valtinos shifts the literary ground from yet another angle. Set in a provincial capital, in the penultimate throes of the Greek Civil War, New Moon: Day One is semi-autobiographical, a tale of two protagonists on the brink of manhood. They speak in bluntly human tones, but in precincts that echo of death the impulse to life is declared. In the very presence of Thanatos, Eros is adamant. The elements of a screenplay are recast by Valtinos as a novel. Interposed with bursts of dialogue, and reading like stage directions, intimate scenes alternate with a wide-screen view. Fade-outs, as blank pages, punctuate the whole. Though the gaze is that of a camera — of pristine detachment — the energy is propulsive. The thread of a breathless suspense is drawn through a complex collage. It seems to precisely catch the rhythm of human becoming.