The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT180120Engraved throughout, apart from the dedication and preface, which are in letterpress. London: printed for the author and sold by him in Canterbury, C. and S. Thompson, Mr. Randall, Mrs. Johnson and Mr. Longman, Mr. Bremner, and Mr. Welcker London, 1770]. 4],24p.: engr. music; 4 | Six Solos Three For A Violoncello And Three For A Tenor Accompanied Either With A Violoncello Or Harpsichord Composed By William Flackton