This edited collection explores the multifaceted intersection between performance art and community dynamics, providing a comprehensive overview of diverse projects and their impact within the post-Yugoslav context. From the self-walling performances of Vice Tomasovic to the documentary theater project KoTo(R) o KOTORU directed by Petar Pejakovic, each contribution delves into the intricate relationship between artistic expression and communal identity. This book showcases the rich and diverse landscape of performance art within the post-Yugoslav context. From self-walling acts to community-driven theater, each contribution sheds light on the intricate interplay between artistic expression and he construction of communal identities, providing a nuanced understanding of the transformative power of performance within this complex socio-political backdrop.