Moving between narrative and reflection, and reveling in the genre of the long poem, Robert Kaplan uses detailed imagery to invite the reader into a slice of 1980s New York City: the urban landscape, the national politics, gay exuberance and loss, and, weaving throughout, the shadow of the AIDS epidemic. The title poem, "Past/Present," which is the first half of the book, sprawls through layers of time, failed romance, geographic movement, and growing self-awareness as the narrator sheds multiple selves to find his core. The poems in the second half of the book (re)create a sensory and personal landscape which becomes a metaphorical and meditative platform upon which to address questions of memory, identity, relationships, and how to navigate through an increasingly unstable world.