Ces mémoires présentent les assises de la musique religieuse de 1900 qui se sont tenues à la Schola Cantorum de Paris. L'ouvrage donne des comptes rendus détaillés des discussions sur les enjeux de la musique religieuse à l'époque et sur les différents styles musicaux associés.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.