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If our wealth is criminal then let's live with the criminal joy of pirates
Coles
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If our wealth is criminal then let's live with the criminal joy of pirates in Vernon, BC
By None
Current price: $10.00

Coles
If our wealth is criminal then let's live with the criminal joy of pirates in Vernon, BC
By None
Current price: $10.00
Loading Inventory...
Size: Paperback
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
From multidisciplinary artist and author Jacob Wren comes a small book of big ideas. Originally produced as a 'Boondoggle Book' limited edition specifically for the first Authors for Indies Day in Toronto, this small and delightful book is a must-have for fans of the author of Polyamorous Love Song.
If our wealth is criminal then let's live with the criminal joy of pirates collects two short stories and an essay by Jacob Wren.
In the first story, 'The Infiltrator,' certain ongoing, rarely mentioned, difficulties for the activist Left are explored with unlikely candour.
In 'Four Letters from an Ongoing Series,' the postal service becomes an unwitting accomplice to the gatekeepers of potential culture.
Finally, in the essay 'Like a Priest Who Has Lost Faith,' questions of art and emptiness shift focus in relation to the agency that at all times surrounds us.
From multidisciplinary artist and author Jacob Wren comes a small book of big ideas. Originally produced as a 'Boondoggle Book' limited edition specifically for the first Authors for Indies Day in Toronto, this small and delightful book is a must-have for fans of the author of Polyamorous Love Song.
If our wealth is criminal then let's live with the criminal joy of pirates collects two short stories and an essay by Jacob Wren.
In the first story, 'The Infiltrator,' certain ongoing, rarely mentioned, difficulties for the activist Left are explored with unlikely candour.
In 'Four Letters from an Ongoing Series,' the postal service becomes an unwitting accomplice to the gatekeepers of potential culture.
Finally, in the essay 'Like a Priest Who Has Lost Faith,' questions of art and emptiness shift focus in relation to the agency that at all times surrounds us.


















