This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts'sJustice of Otto III, Albrecht Dürer'sFeast of the Rose Garland, Rembrandt van Rijn'sNaked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others. | Gender Otherness And Culture In Medieval And Early Modern Art by Carlee A. Bradbury, Paperback | Indigo Chapters