Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismael Ferroukhi, Bouli Lanners, Aki Kaurismaki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of "New Europe" more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parametersof contemporary French-language road cinema, and argues for an understanding of the "road movie" not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and businessexecutives. | French-language Road Cinema by Michael Gott, Hardcover | Indigo Chapters