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Fi: A Memoir of My Son

Fi: A Memoir of My Son in Vernon, BC

By None

Current price: $27.95
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Fi: A Memoir of My Son

Coles

Fi: A Memoir of My Son in Vernon, BC

By None

Current price: $27.95
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Size: Paperback

Buy Online
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
2025 PULITZER PRIZE FINALIST FOR MEMOIR From the award-winning New York Times -bestselling author of Don’t Let’s Go To The Dogs Tonight, Alexandra Fuller, comes a career defining memoir about grieving the sudden loss of her twenty-one-year-old child “An elegiac meditation on motherhood and grief, written from the rage and pain of losing a child, but in a voice that ultimately resonates with beauty and hard-won acceptance.”—Pulitzer Prize jury “A mesmeric celebration of a boy who died too soon, a mother’s love and her resilience. It will help others surviving loss — surviving life.”—David Sheff, New York Times “Fair to say, I was in a ribald state the summer before my fiftieth birthday.” And so begins Alexandra Fuller’s open, vivid new memoir, Fi . It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then – suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep. No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers – in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.
2025 PULITZER PRIZE FINALIST FOR MEMOIR From the award-winning New York Times -bestselling author of Don’t Let’s Go To The Dogs Tonight, Alexandra Fuller, comes a career defining memoir about grieving the sudden loss of her twenty-one-year-old child “An elegiac meditation on motherhood and grief, written from the rage and pain of losing a child, but in a voice that ultimately resonates with beauty and hard-won acceptance.”—Pulitzer Prize jury “A mesmeric celebration of a boy who died too soon, a mother’s love and her resilience. It will help others surviving loss — surviving life.”—David Sheff, New York Times “Fair to say, I was in a ribald state the summer before my fiftieth birthday.” And so begins Alexandra Fuller’s open, vivid new memoir, Fi . It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then – suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep. No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers – in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.

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