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This book demonstrates that the filmability of an original work is a criterion for a faithful film adaptation. The purpose of a theory or theoretical work is to demystify the illusions and misconceptions concocted by ruling-class ideologues. As part of Ryota Nakanishi’s Film Studies Trilogy (Hong Kong, China; 2021–2023), the first book, A Study of the Three-Act Structure (2021), explained the human-centric nature of the three-act structure as an organism. The second book, Marxist Film Aesthetics (in Chinese; (2022) explained the relationship of Marxist aesthetics to cinema and general artistic practice, defining it as the intrinsic nature/logic of an object and turning it into a specific, accurate methodology. This third book (2023) addresses one of the most significant aesthetic issues in media after screening: the fidelity of film adaptations to the original work. Thus, this book is intended to promote media literacy, rather than focusing solely on the methodology of film adaptation.
This book demonstrates that the filmability of an original work is a criterion for a faithful film adaptation. The purpose of a theory or theoretical work is to demystify the illusions and misconceptions concocted by ruling-class ideologues. As part of Ryota Nakanishi’s Film Studies Trilogy (Hong Kong, China; 2021–2023), the first book, A Study of the Three-Act Structure (2021), explained the human-centric nature of the three-act structure as an organism. The second book, Marxist Film Aesthetics (in Chinese; (2022) explained the relationship of Marxist aesthetics to cinema and general artistic practice, defining it as the intrinsic nature/logic of an object and turning it into a specific, accurate methodology. This third book (2023) addresses one of the most significant aesthetic issues in media after screening: the fidelity of film adaptations to the original work. Thus, this book is intended to promote media literacy, rather than focusing solely on the methodology of film adaptation.
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