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Colin McCahon: There is Only One Direction: Vol. I 1919–1959Colin McCahon: There is Only One Direction: Vol. I 1919–1959

Colin McCahon: There is Only One Direction: Vol. I 1919–1959 in Vernon, BC

Current price: $100.99
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Colin McCahon: There is Only One Direction: Vol. I 1919–1959

Coles

Colin McCahon: There is Only One Direction: Vol. I 1919–1959 in Vernon, BC

Current price: $100.99
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Size: Hardcover

Buy Online
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The first of an extraordinary two-volume work chronicling forty-five years of painting by New Zealand’s most important artist, Colin McCahon. Colin McCahon (1919–1987) was New Zealand’s greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, the introduction of words, and Maori motifs, McCahon’s work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon’s work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon’s birth, leading McCahon scholar, writer, and curator Peter Simpson chronicles the evolution of McCahon’s work over the artist’s entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon’s extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon’s work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon’s work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. This will be the definitive work on New Zealand’s leading artist for many years to come.
The first of an extraordinary two-volume work chronicling forty-five years of painting by New Zealand’s most important artist, Colin McCahon. Colin McCahon (1919–1987) was New Zealand’s greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, the introduction of words, and Maori motifs, McCahon’s work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon’s work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon’s birth, leading McCahon scholar, writer, and curator Peter Simpson chronicles the evolution of McCahon’s work over the artist’s entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon’s extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon’s work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon’s work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. This will be the definitive work on New Zealand’s leading artist for many years to come.

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