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Coles A new school of Gregorian chant at Village Green Shopping Centre in Vernon, BC
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 Excerpt: ...throughout the whole of the Graduale: a) As regards their external form: In addition to chants which are almost syllabic in their character and differ in nothing from ordinary antiphons (cf. the Communio on the Transfiguration and on the Saturday of the second week in Lent, etc.), there are many that surpass the Introit melodies as regards elaboration (cf. Introit and Communio of the Mass La?tabitur, of the Mass Protexisti, of the Mass Sancti tui--com. of one martyr and of many martyrs), and not a few that can bear comparison with Offertory melodies (cf. Offertory and Communio of the 1st Sunday in Lent, of the Monday in Passion Week, of the Sunday within the octave of Corpus Christi). The text, it is true, is generally considerably shorter. 1) Pal. mm. VI. 22. ft) As regards their expression, and, one might say, their dramatical effect. Sing the melodies for the 3rd Sunday of Advent Dicite (particularly pusillanim.es confortamini); the 2nd Mass for Christmas Day Exsulfa (particularly lauda filia); the 3rd Mass for Christmas Viderunt (particularly salutare); feast of the Holy Innocents Vox in Rama (with its plaintive character); Passion Sunday Hoc corpus (very deep and earnest); Pentecost Facta est (vehement like the rushing of the wind); 21st Sunday after Pentecost In salutari tuo (with its entreating tone, almost tempestuous); com. of a martyr in Paschal time Lcetabitur (a resounding song of jubilation), etc. The following are of special interest: a) The Communio Quinque prudentes from the Mass Dilexisti. Further see pp. 180 seq. fl) The melody of the Communio for Wednesday in the fourth week in Lent Lutum fecit, childlike in its simplicity; with its short phrases it portrays most vividly the happiness of the man born blind but now healed, who can with dif...
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 Excerpt: ...throughout the whole of the Graduale: a) As regards their external form: In addition to chants which are almost syllabic in their character and differ in nothing from ordinary antiphons (cf. the Communio on the Transfiguration and on the Saturday of the second week in Lent, etc.), there are many that surpass the Introit melodies as regards elaboration (cf. Introit and Communio of the Mass La?tabitur, of the Mass Protexisti, of the Mass Sancti tui--com. of one martyr and of many martyrs), and not a few that can bear comparison with Offertory melodies (cf. Offertory and Communio of the 1st Sunday in Lent, of the Monday in Passion Week, of the Sunday within the octave of Corpus Christi). The text, it is true, is generally considerably shorter. 1) Pal. mm. VI. 22. ft) As regards their expression, and, one might say, their dramatical effect. Sing the melodies for the 3rd Sunday of Advent Dicite (particularly pusillanim.es confortamini); the 2nd Mass for Christmas Day Exsulfa (particularly lauda filia); the 3rd Mass for Christmas Viderunt (particularly salutare); feast of the Holy Innocents Vox in Rama (with its plaintive character); Passion Sunday Hoc corpus (very deep and earnest); Pentecost Facta est (vehement like the rushing of the wind); 21st Sunday after Pentecost In salutari tuo (with its entreating tone, almost tempestuous); com. of a martyr in Paschal time Lcetabitur (a resounding song of jubilation), etc. The following are of special interest: a) The Communio Quinque prudentes from the Mass Dilexisti. Further see pp. 180 seq. fl) The melody of the Communio for Wednesday in the fourth week in Lent Lutum fecit, childlike in its simplicity; with its short phrases it portrays most vividly the happiness of the man born blind but now healed, who can with dif...
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