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Excerpt from A History of Ornament, Ancient and Medieval The predominance of illustrations from architecture is due not merely to the fact that these chapters are based on lectures to architects; but also to the fact that the styles are most clearly exhibited in the progress of architecture as the mistress art. It is hoped that the Books Recommended will enable the reader to supply for himself the illustrations from the other arts which he finds lacking in this work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of Ornament, Ancient and Medieval The predominance of illustrations from architecture is due not merely to the fact that these chapters are based on lectures to architects; but also to the fact that the styles are most clearly exhibited in the progress of architecture as the mistress art. It is hoped that the Books Recommended will enable the reader to supply for himself the illustrations from the other arts which he finds lacking in this work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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