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a Cure for Scold. Ballad Farce of two Acts. (Founded Upon Shakespear's Taming Shrew) as it is Acted By his Majesty's Company Comedians at the Theatre Royal Drury-Lane. J. Worsdale,a Cure for Scold. Ballad Farce of two Acts. (Founded Upon Shakespear's Taming Shrew) as it is Acted By his Majesty's Company Comedians at the Theatre Royal Drury-Lane. J. Worsdale,

a Cure for Scold. Ballad Farce of two Acts. (Founded Upon Shakespear's Taming Shrew) as it is Acted By his Majesty's Company Comedians at the Theatre Royal Drury-Lane. J. Worsdale, in Vernon, BC

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Current price: $32.78
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a Cure for Scold. Ballad Farce of two Acts. (Founded Upon Shakespear's Taming Shrew) as it is Acted By his Majesty's Company Comedians at the Theatre Royal Drury-Lane. J. Worsdale,

Coles

a Cure for Scold. Ballad Farce of two Acts. (Founded Upon Shakespear's Taming Shrew) as it is Acted By his Majesty's Company Comedians at the Theatre Royal Drury-Lane. J. Worsdale, in Vernon, BC

By None

Current price: $32.78
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T062771 Text continuous despite pagination. London: printed for L. Gilliver, [1738]. [10],16,25-59, [1]p.; 8°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T062771 Text continuous despite pagination. London: printed for L. Gilliver, [1738]. [10],16,25-59, [1]p.; 8°

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